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Posts Tagged ‘John W. Campbell’

Hell, it would be great if some large media conglomerate decided to sue me in Federal Court – that’s BIG pr, man.

Lacking that avenue of promotional greatness, I’m forced to simply tell you that Chapter 8 of Pulp Comic Story (which has now been retitled Pulp Comic Fairy Tale – something I said I might do a while ago) is now available here.

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A few other things while I’m thinking about it:

Fred Kiesche had to take a sledgehammer to my head to make me realize that his blog – which used to be called The Eternal Golden Braid is now called -

THE LENSMAN’S CHILDREN

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I’ve been thinking about this for a bit: what would entice someone to read the classics if they weren’t already inclined to do so.

I’ve spent a fair number of words exlaining the ‘whys’ here already (do your homework you lazy, good-for-nothing) so let’s just assume (momentarily or otherwise) that they’re valid reasons.

Of course I don’t mean at the expense of contemporary SF.  I mean in addition to.  As a means of obtaining some grounding, some history, some appreciation, some respect for the people who all the awards are named after (yes dear, there are real people behind those award names and good reasons for naming those awards after them – The Hugo for Hugo Gernsback, father of popularizing the genre – the John W. Campbell Award for Best New Writer, because JWC had a nack for finding and developing new talent within the pages of Astounding SF (and the other award of the same name for best novel, given out by SFRA) – Andre Norton for YA lit, given by SFWA because she wrote so many tales that introduced young-uns to SF – Arthur C. Clarke for Best UK SF, because he helped found the UK SF dynasty and because he was, you know, British – Cordwainer Smith, for rediscovering overlooked authors of merit – Damon Knight, SFWA Grandmaster award because Damon founded the org – James Tiptree – for works that explore gender, because SHE did just that - Philp K. Dick, for having so much of his original work published in paperback – Robert A. Heinlein, for so much excellence – Theodore Sturgeon, for excellent short stories – if it weren’t for those folks we’d be giving out awards named for something stupid like The Spaceship Award or The Raygun Award.

Many of those people worked very hard at what they did and (should) leave a lasting, honored memory. And they deserve to be read, along with all of their brethren and sisteren.

So what I thought was – how about if we poll the contemporary favorites and compile a referral list like they do at BMG for music (if you liked so-and-so, you ought to like whosiswhatsis too).

I mean, we already know that If you like John Scalzi, you’ll probably like Robert A. Heinlein too and If you like David Weber, you’ll probably like A. Bertram Chandler, but who else?

So let’s ask some contemporary authors the following questions:

1. Did you read SF before you were a writer?

2. Who were your favorites?

3. Who do you think influenced you the most?

4. Which of the classic authors do you think your work most resembles?

Maybe if we tell the kids this, they’ll give those classics a try.

Maybe John at SFSignal will ask this one…

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Twice.

SFSignal has started a meme – The Top 48 Sci-Fi Film Adaptations.

Fred Kiesche (of the Signal and Texas Best Grok) tagged me.

Mike Glyer of File 770 tagged me too.

Does that mean I have to tag ten other people, or can I still get by with only five?

Is it possible to get tagged twice, or does one tag cancel out the other tag?  Anyway.  I’m honored by all this tagging and pass the honor on below.

Here’s the instructions for the meme-spreading:

  • Copy the list below.
  • Mark in bold the movie titles for which you read the book.
  • Italicize the movie titles for which you started the book but didn’t finish it.
  • Tag 5 people to perpetuate the meme. (You may of course play along anyway.)
  • Here’s my list:

    1. Jurassic Park
    2. War of the Worlds
    3. The Lost World: Jurassic Park
    4. I, Robot
    5. Contact
    6. Congo
    7. Cocoon
    8. The Stepford Wives
    9. The Time Machine
    10. Starship Troopers
    11. The Hitchhiker’s Guide to the Galaxy
    12. K-PAX
    13. 2010
    14. The Running Man
    15. Sphere
    16. The Mothman Prophecies
    17. Dreamcatcher
    18. Blade Runner(Do Androids Dream of Electric Sheep?)
    19. Dune
    20. The Island of Dr. Moreau
    21. Invasion of the Body Snatchers
    22. The Iron Giant(The Iron Man)
    23. Battlefield Earth*
    24. The Incredible Shrinking Woman
    25. Fire in the Sky
    26. Altered States
    27. Timeline
    28. The Postman
    29. Freejack(Immortality, Inc.)
    30. Solaris
    31. Memoirs of an Invisible Man
    32. The Thing(Who Goes There?)
    33. The Thirteenth Floor
    34. Lifeforce(Space Vampires)
    35. Deadly Friend
    36. The Puppet Masters
    37. 1984
    38. A Scanner Darkly
    39. Creator
    40. Monkey Shines
    41. Solo(Weapon)
    42. The Handmaid’s Tale
    43. Communion
    44. Carnosaur
    45. From Beyond
    46. Nightflyers
    47. Watchers
    48. Body Snatchers

    *not science fiction because it’s Hubbard

     

    I added the following: an underlined entry is NOT SF

    And the editorializing on Hubbard was not included in the original. Just my (considered) opinion.

     

    I have no italics because I finish reading whatever I’ve started – with literally one exception, and I’m not even going to foist the title of that horrible experience on you.

     

    Opinions of the above stories?

     

    Jurassic Park – ok – can’t stand Crichton’s overbearing anti-scientism

    WotW – great, wonderful, Herbert George Rocks

    I, Robot – Ike does this kind of thing best

    Contact – Sagan rocks.  Most people missed the message at the end of the book:  there are always more questions and our job is to keep on asking them

    Congo – meh

    Stepford Wive – ok

    The Time Machine – my man HGW again

    Starship Troopers – all time fave.  If you start yapping about militarism and neo-fascism again I’m gonna hit you, hard.

    HHGTTG – meh.  Sorry, I know people love this one, but I think Harrison and Russell do funny far better than Adams could ever hope to

    2010 – decent sequel, Clarke’s done better: hey, why isn’t The Sentinel in this list?

    Running Man – hate King, hate Bachman; you’ll get no reasonable consideration out of me on this one

    Sphere – slow, dry, stupid, derivative, obvious and a waste of time

    Dreamcatcher – forgettable

    Blade Runner – PK Dick is brilliant. End of story, period, the end.

    Dune – there was a time when I wanted all blue eyes.  First two novellas, excellent, everything else, mostly suitable for doorstops

    Island of Dr. Moreau – HG, you’re hogging the limelight

    Invasion of the Body David BrinSnatchers – Finney is good

    Iron Giant – wonderful

    Altered States – meh.  drugs are cool but, meh

    Timeline – Crichton’s try at time travel. predictable

    The Postman – Brin rocks

    Freejack - meh

    Solaris – Lem rocks big time

    Memoirs – meh

    Who Goes There – one of Campbell’s best ever

    Puppet Masters – RAH again.  Just re-read it (unexpergated version), which is a clue

    1984 – Orwell rocks

    A Scanner Darkly – PKD again.  Uber rocks

    Communion – Streiber is a nutball

    Watchers – ok

    Body Snatchers isn’t this a double entry?

     

    I tag:

     

    Bill the SciFi Guy

    Heckler and Kochk

    Gary Wolf of Roger Rabbit

    John Whalen of Raygun Revival

    Rick Novy

     

     

    If I’m responsible for tagging another five, it’s gonna take a while.

     

     

     

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    A few days ago I posted some images and a little history on the SF/F magazine.  Its now time to move on to the golden age, which started with John W. Campbell’s assumption of the editor’s chair at Astounding Stories.

    But before that happened, John W. wrote for the magazines, and one of the magazines he wrote for was called Astounding Stories of Super Science.

     January of 1930. 

     Hugo’s magazines underwent another name change

     and expansion into a quarterly edition of the same name.

     A little later on in the decade, Wonder again changed its title:

     

    Several other good looking magazines were also produced, but never amounted to much:

     

     And then, in 1934, the UK produced its first SF mag – Scoops, a weekly newspaper for teens:

     Which was followed shortly thereafter by a number of ‘adult’ British titles:

     

     The end of the decade saw a boom in SF & Fantasy pulps, many going on to long and venerable careers:

     

     

     

     

     

     

     

     

      Culminating with another John W. Campbell inspired pulp -

     

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    I had a nice little surprise the other day.  I thought I’d collected everything there was to be had by Eric Frank Russell, but happily I turned out to be mistaken.  I found a copy of Deep Space (a collection of short stories) at a used book store that’s never yielded pay dirt before.  This time I struck gold, there are one or two tales in that collection I’ve never seen before.

    Russell is always a treat.  If you’ve never had the pleasure of laughing at yourself in the mirror, its high time you learned how.  His award winning short Allamagoosa will give you the perfect opportunity and its even available on line here.  The title of this piece is a reference to that story.

    Sinister Barrier is probably is most well-known novel, and was his first.  Originally published in the first issue of John W. Campbell’s Unknown Worlds, it was also reprinted as one of the Galaxy Novel series and issued numerous times by various publishers.  Based on Russell’s reading of Charles Fort’s prognostications, it is the original ‘what if humans are property’ story.  Just about every alien invasion and supernatural horror film owes at least a little something to Russell and this story.

    Personally, EFR hits me right in the funny bone – again and again and again.  There’s something to be said for an author who can write jokes that make you laugh out loud even when you already know the punchline.  (His series of Jay Score tales are a perfect example of this; I’m tempted to sumn them up as the ‘keystone cops in space’, but then I’d be giving short shrift to his intellectual side, which is nothing to be given short shrift to).

    The first story I ever read by Russel was Hobbyist, collected in Astounding Tales of Space and Time (an excellent introduction to classic SF if ever there was one) and, like Weinbaum before him, Eric Frank Russell rose to Campbell’s challenge of creating aliens that didn’t think or act like humans.  Laura the parrot remains one of the most endearing non-human terran characters ever created.

    If you’ve never read EFR, do yourself a favor and pick up something, anything, by him.  You’re sure to gain a new appreciation for what it means to be human and you just might save yourself some time with the paperwork…

    This site is devoted to a biography of the author.

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    Mike Macafferty over at slice of scifi, in response to the list making mania, offers his sarcastic take in “The Seven Most Embarrassing Moments in Science Fiction”.

    Not to be outdone (and to make sure that you don’t have an excellent weekend) I offer my own list comprised of the Ten Wurstest Moments in Science Fiction History

    1. Bye-bye Hugo Gernsback

    2. Bye-bye Stanley G. Weinbaum

    3. Bye-bye John W. Campbell

    4. Bye-bye H. Beam Piper

    5. Bye-bye Robert A. Heinlein

    6. Bye-bye C. M Kornbluth

    7. Bye-bye A. Bertram Chandler

    8. Bye-bye Eric Frank Russell

    9. Bye-bye Isaac Asimov

    10. Bye-bye Arthur C. Clarke

    You know, I NEVER liked this whole list thing to begin with…

     

     

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